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Showing posts from November 1, 2016

An Ode to speechless Bob Dylan

This article first appeared in Eureka Street in early November 2016 . Cartoon by Chris Johnston. What is the purpose of awarding a philanthropic literature prize to a millionaire rock star? If you wish to draw attention to an unsung national poet, why choose one of the world’s most famous Americans? If it has to be an American, why not one who writes books? Argument about Bob Dylan has peaked for the first time in forty years or so, leaving a lot of people wondering if they’re still “forever young”, and which side of the argument is right. Dylan’s relationship to literature is well known. He took his name from a Welsh poet. When he sang ‘Desolation Row’ Dylan was locking into the Beat world of Allen Ginsberg and Jack Kerouac. He quotes from a range of writers without fear of accusations of plagiarism. Scripture is close to hand, but also the cornucopia that is the songbook of American popular music. He copies Woody Guthrie and parodies Elvis Presley. His debt to the b

Max Richards shares: 9, Denise Levertov

Cuttings, held together by a slightly rusted paper clip, fall from his copy of Penguin Modern Poets 9: Denise Levertov, Kenneth Rexroth, William Carlos Williams. (Penguin Books, 1967). They include a typed version of ' The Rainwalkers ' , and photocopies of ' February Evening in New York ' and ' The Cold Spring ' , the second with a note in Max’s hand " comp[are] with Dickinson ‘The Bustle’." Was he taking a class or writing a review? Then this one page hand-written set of notes about poetic construction. Are they Max Richards’ own responses or his summary of things by Levertov collated from her writings for reference? Or a bit of both? Whatever the case, the page has the feel of a trouvée poem:   24-7-81 Denise Levertov on non-traditional metrics free verse: impulse to flow, avoidance of the interruption of pattern But ‘wellwrought’…? ‘organic form’ 19 th c. a term taken over by shampoo manufacturers!